There are many violin and
viola books around (actually, mostly violin books).
Here
you'll find some books (I
also translated them into Italian) that I think are very good. They are:
Kató
Havas' books can be applied to violin and viola playing.
William
Primrose's book is his autobiography. I translated it and published it.
You can find Primrose's book in
English. Kató
Havas' books can be found in several languages. Although their
titles refer to violin, their principles and practice
apply to the viola
as well and also to all string instruments. Indeed,
they deal with how to
use our body (and not only the fingers!),
particularly all the upper part (shoulders, arms, back) to play in
a natural way, to prevent
or eliminate various physical injuries and emotional problems (there is also a teaching DVD on this) caused
by an incorrect use of the body in playing and at the same
time, facilitate the performance and make it more enjoyable
for the
performer. Well, who plays knows what the problems are, right?
That's the meaning of "New approach";
the violin is always referred to because Kató Havas is violinist and
started with the violin (the first book, the New approach,
was published in 1961!), but there are other people and books
who apply this method to other instruments. I found them very
useful and that's why I accepted to translate them when I was asked. If
you
have any doubts about how to solve some problems and so far
you
haven't found answers, I warmly recommend them to you!
Here you can see the original book cover
and my Italian version cover. Soon
you'll be able to read here a description of
them. I've
added a link to a website where you can buy them in several languages,
since quite often people asked me where they could find them
(especially the Italian ones).
With Kató Havas when the Italian
version of the book
Stage fright was published
A
new approach to violin playing
A
new approach to violin playing Kató Havas
This
was the first book published in 1961, when nobody was talking about
physical injuries caused by playing an instrument. Nowadays everybody
is well aware of this issue, there are even clinics for musicians'
injuries.
Here
you can see the original book cover.
“It is a sad
comment on man's perennial ignorance that the rare and the original are
usually the obvious. Miss Havas is original in her approach to violin
playing because she insists that violin technique must be reducible to
basic motions involving more than just the fingertips. … It is also
heartening and equally ‘original’ to find a kindred spirit who holds
the whole body to be engaged, thus offering non
resistance anywhere - only support - and who realises that of all
things - the state of continual balance, the equilibrium of all parts,
fingers against thumb, arms against shoulder-blades, etc., is the
object of all training…”
Yehudi Menuhin
Here
is the cover of the Italian version that I translated: Un nuovo approccio al violino
To use the
words of Kató Havas herself, “The aim of this approach is not
so much the imparting of knowledge. The aim is rather the elimination
of all existing obstacles, both physical and mental, so that through a
relaxed control and co-ordination, the player may be able to release
the full force of his musical imagination.”
Another book I translated with,
again, a comment by Yehudi Menuhin.
Stage
fright Causes and cures Kató
Havas
“Dear Kató Havas, I would like to write
you a second fan letter, as I believe I have already done so some years
ago, to congratulate you on your book "Stage fright". It is the most
realistic and practical approach imaginable. It stresses the real
reasons and not the false ones... a book that should be worth its
weight in gold to every student and many a performer.”
Yehudi
Menuhin
It examines in detail
the causes of all the fears most of players have, giving
practical solutions to them: These are the chapters:
I)A GENERAL SURVEY
1.THE SHAME ATTACHED TO STAGE FRIGHT 2.THE SYMPTOMS OF STAGE FRIGHT a) What is
anxiety? 3.ARTIST-AUDIENCE RELATIONSHIP
II)THE HUNGARIAN GYPSY VIOLINIST
III)THE PHYSICAL ASPECTS OF STAGE FRIGHT
1.THE FEAR OF DROPPING THE VIOLIN
2.THE FEAR OF
THE TREMBLING BOWING ARM
a) The strokes
3.THE FEAR OF
BEING OUT OF TUNE
a) The fourth finger
4.THE FEAR OF
HIGH POSITIONS AND SHIFTS
a) The high
positions
b) Shifts IV)THE MENTAL ASPECTS OF STAGE FRIGHT
1.THE FEAR OF NOT BEING LOUD ENOUGH a) Hearing
b) Listening 2.THE FEAR OF NOT BEING FAST ENOUGH 3.THE FEAR OF MEMORY LAPSE 4.THE POWER OF WORDS 5.THE POWER OF IMAGINATION
V)THE SOCIAL ASPECTS OF STAGE FRIGHT
1.THE FEAR OF NOT BEING GOOD ENOUGH
VI)CONCLUSIONS
1.THE ART OF PRACTISING 2.SUGGESTIONS FOR EXAMINATIONS, AUDITIONS,
COMPETITIONS, PERFORMANCES 3.THE SALIENT POINTS IN PRACTISING
The violin and I
Kató
Havas's autobiography, with the story of how the
New Approach came to life and the correspondence, which went on
for years, among readers on The Strad magazine
Here is the cover and the
frontispiece of the Italian version that I translated: La paura del pubblico, with a
dedication by Kató Havas
Walk on the North
Side
Memories of a violist
Last
but not least... The autobiography of William Primrose, "the first star of the viola"
Walk
on the North Side Memories of a
violist William Primrose
William
Primrose (1904-1982) was the first international star with viola. Great
virtuoso and fine interpreter, he played with the best musicians of his
time, such as Toscanini,
Heifetz, Kreisler, Piatigorsky, to name
only a few. He caused the viola to be definitively recognised as a solo
instrument with a neatly distinct personality than the violin's. Thanks
to him, viola repertoire enriched with many works commissioned by
himself or composed for him: the most famous ones are Bartók's Viola Concerto
and Britten's Lachrymae.
A
very lively account of Primrose life and career, his many interests
(including chess and cricket playing, airplane piloting and
more...), full of anecdotes. A very encouraging book for all
players, a very interesting and enjoyable reading for any music lover.
Find out why it has this strange title...
Here are
the chapters:
The
cover of Walk on the
North Side
The North Side of the 57th Street
First
years in Glasgow
As a student in London
Warming
up
Ysa˙e
The London String Quartet
Richard
Crooks and others
Conductors
Critics
Colleagues
Lionel
Tertis and others
Plight
Legacy
Japan:
Chrisantemum and Sakura
This is the
cover of my Italian version (but now it's not available).
More
books by William Primrose: Violin
and viola (Menuhin-Primrose)
Menuhin's
book mainly on the violin, includes a chapter on the viola
written by Primrose
Playing the Viola - Conversations with
William Primrose Very
good book, in form of dialogue with one of his former pupils
(David Dalton, now viola professor and curator of
the PIVA
-
Primrose International Viola Archive). Very technical, with
detailed information on how to practice, on
fingerings, repertoire
and much more.
By the way, I did
these translations because I love translating. To me, translating
and playing are similar in a way. The performer/translator is
the medium to make something understandable to somebody who doesn't
know the language (music too is a language): he/she has to understand
what the author/composer meant to say, keep the style and then
transform the idea from an idiom to another one, from written
notes to your ears and your soul.